L5: Master Tabla Class: Achieve Virtuoso Status
1) deepchandi
2) panchamsawari
3) jhumra
4) tilvada
5) addha
6) adachautaal
7) sultaal
8) dhamar
- Definitions.
Utthan, Tripalli and ChaupalliGatta, FarmaishiGatta, FarmaishiChakradhar, KamaliChakradhar,Rela , Laggi,
Ladi and kisme
taalvistaar of teen-taal:
- 2 kayda,15 palta,3 tihai
- Dhirdhirrela 10 palta , 2 tihai
- 15 bandish ( including advance)
Taalvistaar of roopak:
- Dha tit kayda 8 more palta and 2 tihai
- One more kayda few palta and tihai
- Rela 3 palta and tihai
- 4 add on bandish
Taalvistaar of basant:
- Few palta and tihai
- 3 bandish
Theory:
- - Study of Karnataka and North Indian rhythm system
- Knowledge of the difference between Laya and Laykari and in the following talas the bandish of Aad, Kuad, and B.EdLaikri in sam to samtaal script (1) Trital (2) Jhaptal
- The importance and utility of the table instrument in Indian music and the prevailing variation in relation to the origin of tabla
- 4) Study of principles of accompaniment of Tabla with Classical, Sub-Classical, and Sugam music
- Information about the different Gharanas of the table and the playing characteristics of the Ajrada, Farukhabaz, and Banaras Gharanas.
- Biography and musical contribution of the following players :
- 1) prof.pt.sudhirkumarsaksena
- 2) pt.pushkarrajshreedhar
- 3) ut.ZakirHussain
- 4) ut.habibbudin khan sahab
- 5) ut.ahemadjanthirkava
Note: Students should be passed out from the advanced course
Fromom music academy.
Riyazschedule will be provided by the academy