L5: Master Tabla Class: Achieve Virtuoso Status
1) deepchandi
2) panchamsawari
3) jhumra
4) tilvada
5) addha
6) adachautaal
7) sultaal
8) dhamar
- Definitions.
Utthan, Tripalli and ChaupalliGatta, FarmaishiGatta, FarmaishiChakradhar, KamaliChakradhar,Rela , Laggi,
Ladi and kisme
taalvistaar of teen-taal:
- 2 kayda,15 palta,3 tihai
- Dhirdhirrela 10 palta , 2 tihai
- 15 bandish ( including advance)
Taalvistaar of roopak:
- Dha tit kayda 8 more palta and 2 tihai
- One more kayda few palta and tihai
- Rela 3 palta and tihai
- 4 add on bandish
Taalvistaar of basant:
- Few palta and tihai
- 3 bandish
Theory:
- - Study of Karnataka and North Indian rhythm system
- Knowledge of the difference between Laya and Laykari and in the following talas the bandish of Aad, Kuad, and B.EdLaikri in sam to samtaal script (1) Trital (2) Jhaptal
- The importance and utility of the table instrument in Indian music and the prevailing variation in relation to the origin of tabla
- 4) Study of principles of accompaniment of Tabla with Classical, Sub-Classical, and Sugam music
- Information about the different Gharanas of the table and the playing characteristics of the Ajrada, Farukhabaz, and Banaras Gharanas.
- Biography and musical contribution of the following players :
- 1) prof.pt.sudhirkumarsaksena
- 2) pt.pushkarrajshreedhar
- 3) ut.ZakirHussain
- 4) ut.habibbudin khan sahab
- 5) ut.ahemadjanthirkava
Note: Students should be passed out from the advanced course
Fromom music academy.
Riyazschedule will be provided by the academy
Terms and Conditions
By checking the box below, you agree to our terms and conditions.