L4: Professional Tabla Course: Perform Like a Pro
- Dadra
- Roopak
- Kehrwa
- Basant
- Japtaal
- Ektaal
- Dhamar
- Teen-taal
- Roopak theka
- Laggi and cut pickups
- Dadra and kehrwa additional theka and laggi with repat theka and laggi
- Introduction of peshkar and how to open it
- Dha teet dha teet kayda few darrajedar palta and tihai
- Tishtra jaati mkayda palta and tihai
- Dha traka dhe kit kayda palta and tihai
- 10 bandish (including mid 2)
Taal vistaar of jhaptaal:
- Teeta kayda add on few palta and tihai
- Tirkit kayda 10 palta and add on few tihai
- Rela 10 palta 2 tihai
- 2 bandish ( including mediator 2)
Taal vistaar of ektaal
- Dhagena tit kayda add on 8 more palta and 2 tihai
- Rela 5 palta 2 tihai
- 5 bandish
Taal vistaar of roopak
- Dhati kayda 8 palta 2 tihai
- Rela five palta and 1 tihai
- 3 bandish
Requirement to addmission : student should be passed out
Visharad purna from gandharva
mahavidhyalay and mediator
Course from om music academy
Theory:
- 1) Comparative study of the following concepts :-
- Tabla :- Peshkar-Qaeda-Rela
- 2) Difference between Taal and thekas, detailed definition of Taal.
- 3) Theory of classification of Indian musical instruments (information).
7) Method of Riyaz necessary to balance the playing of Tabla
8) Gharana of Tabla and their playing specialties and complete knowledge of any one Gharana.
Tabla - Delhi, Luckhnow and Punjab
- Biography and musical contribution of the following players
- Ustad Ahmedjan Thirkwa, Ustad Amir Hussain Khan Saheb, Ustad Allarkha Khan Saheb, Ustad Habibuddin Khan Saheb,
Ustad Karamatullakha,
imam baksh chudi vala
Pandit Kantha Maharaj
Note:
How to tune tabla :
- it will be batter to present physically
- focusing on daab-ghaas
- riyaz schedule will provided by academy